The Curator and Conservator spoke to us about this project of ‘The Box’ and how they are unsure of exactly how long it will be up for - it could be 10 years or 50, but it gives them time to think of a long term plan to ultimately restore the house.
The continuing problem of the dampness is because of the faults in Charles Rennie Mackintosh’ design. Whilst aesthetically pleasing, it is not practical. He wanted the house to be Avantgarde by using sandstone rendered with cement for the exterior surface finish which has proved to be less durable than the traditional lime harl. The staff considered applying a lime wash to the exterior but this would tamper with the authenticity of Mackintosh’ original design which makes the house unique.
The house was designed for Walter and Anna Blackie who lived there from 1904 to 1954. Their grandchildren have donated items and part of the furniture back to the house.
We walked around the house - due to risk of water, all the precious furniture items have been moved out into storage and some are on display in an exhibition space at the Lighthouse in Glasgow. The remaining items within the house have been covered with plastic.
Nevertheless, the interior of the house was still cool - I liked the motifs within the room, the colour purple and the pink roses, and elements of Art Nouveau.
After we had a look, we split into two groups and had a debate about whether we thought it was more important to preserve the original material of the structure, or the design.
The Hill House tells a story. It is fundamentally evidence of a lesson to be learnt - a lesson on the importance of practicality versus aesthetic. Thus it is important to preserve the house as Mackintosh originally designed it as it was building experiment, and the materials are part of its historic story.
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